Клавиатурные и лютневые произведения - тема пятого серия New Bach Edition.
Keyboard Works (Klavierwerke) Иоганна Себастьяна Баха традиционно относится к Nos. 772–994, глава 8 в каталоге BWV, в котором перечислены композиции для сольного клавишного инструмента, такого как клавесин или клавикорд. Несмотря на то, что орган также является клавишным инструментом и что во времена Баха не всегда делалось различие, была ли клавишная композиция для органа или другого клавишного инструмента, Вольфганг Шмидер варьировал органные произведения в отдельном разделе Bach-Werke-Verzeichnis (Nos. 525-771 ). Другие композиции для клавишных, такие как композиции для лютневого клавесина и для фортепиано, были перечислены Шмидером за пределами диапазона "Klavierwerke". Лютневые произведения находятся в диапазоне 995–1000, глава 9 в каталоге BWV.
Обозначается как «Neun kleine Präludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach » (девять маленьких прелюдий из буклета для клавиатуры Wilhelm Fr iedemann Bach ) в Bach-Werke Verzeichnis:
Набор коротких прелюдий XVIII века Иоганна Себастьяна Баха:
Пять коротких прелюдий, найденных в рукописи P 804 (коллекция Иоганн Петер Келлнер ):
столбец | содержание | |
---|---|---|
01 | BWV | Bach-Werke-Verzeichnis (букв. 'Каталог произведений Баха'; BWV) номера. Anhang (Приложение; Anh.) Цифры обозначаются следующим образом:
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02 | Раздел, в котором композиция появляется в BWV:
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03 | Дата | Дата связанный с завершением перечисленного варианта композиции. Точные даты (например, для большинства кантат) обычно указывают предполагаемую дату первого (публичного) исполнения. Когда за датой следует аббревиатура в скобках (например, JSB для Иоганна Себастьяна Баха), это указывает на дату участия этого человека в композиции в качестве композитора, писца или издателя. |
04 | Имя | Название композиции: если композиция известна немецкому incipit, этому немецкому названию предшествует тип композиции (например, кантата, хоральная прелюдия, мотет,...) |
05 | Клавиша | Клавиша композиции |
06 | Оценка | См. таблица оценок ниже для сокращений, используемых в этом столбце |
07 | BG | Bach Gesellschaft -Ausgabe (BG edition; BGA): числа перед двоеточием указывают объем в том издании. После двоеточия арабская цифра указывает номер страницы, на которой начинается партитура композиции, а римская цифра указывает описание композиции в Форворте (предисловие) тома. |
08 | NBE | New Bach Edition (немецкий : Neue Bach-Ausgabe, NBA): римские цифры для серии, за которыми следует косая черта, и номер тома арабскими цифрами. Номер страницы после двоеточия указывает на часть тома «Оценка». Без такого номера страницы композиция описывается только в части тома «Критический комментарий». В томах сочинения Баха сгруппированы по жанрам:
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09 | Дополнительные информация | может включать:
Провенанс стандартных текстов и мелодий, таких как лютеранские гимны и их хоральные мелодии, Латинские литургические тексты (например, Magnificat ) и обычные мелодии (например, Folia ) обычно не указываются в этом столбце. Для обзора таких ресурсов, используемых Бахом, см. Отдельные статьи о сочинении и обзоры, например, Хоральная кантата (Бах) # Хоральные кантаты Баха, Список хоровых гармонизаций Иоганна Себастьяна Баха # Chorale гармонизации в различных сборниках и Список органных сочинений Иоганна Себастьяна Баха # Хоральные прелюдии. |
10 | BD | Bach Digital Рабочая страница |
Голоса (см. Также SATB ) | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
a | A | b | B | s | S | t | T | v | V | |||
альт (сольная партия) | альт (хоровая партия) | бас (сольная партия) | бас (хоровая партия) | сопрано (сольная партия) | сопрано (хоровая партия) | тенор (сольная партия) | тенор ( партия хора) | голос (включает части для неуказанных голосов или инструментов, как в некоторых канонах) | вокальная музыка для неуказанного типа голоса | |||
Winds and battery (жирный = солист) | ||||||||||||
Бас | Бел | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
фагот (может быть частью Bc, см. ниже) | колокол (s) (музыкальные колокольчики ) | корнетт, корнеттино | флейта (traverso, flauto dolce, piccolo, flauto basso ) | натуральный рог, corno da caccia, corno da tirarsi, lituo | гобой | гобой d'amore | гобой da caccia | taille | тромбон | тромба да тирарси | литавры | тромба (натуральная труба, труба кларино ) |
струнные и клавишные (жирный = солист) | ||||||||||||
Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
bassocontino : Vdg, Hc, Vc, Bas, Org, Vne и / или Lu | клавесин | клавиатура (Hc, Lw, Org или клавикорд ) | лютня, теорбо | Лаутенверк (лютня-клавесин) | орган (/ man. = manualiter, без педалей ) | струн: Vl I, Vl II и Va | альт (s), альт д'амур, виолетта | виолончель, виолончель пикколо | виола да гамба | скрипка (s), скрипка пикколо | виолон, виолончель гроссо |
Цвет | Значение |
---|---|
зеленый | сохранившаяся или четко задокументированная частичная или полная рукопись (копия) Баха и / или первое издание под руководством Баха |
желтый | сохранившееся или четко задокументированная рукопись (копия) или печатное издание, полностью или частично, от близкого родственника, т. е. брата (Дж. Кристоф ), жены (AM ), сына (WF / CPE / JCF / J. Christian ) или зять (Altnickol ) |
оранжево-коричневый | сохранившаяся или четко задокументированная рукопись (копия) близкого друга и / или ученика (Келлнер, Кребс, Кирнбергер, Вальтер,...) или дальнего члена семьи |
BWV | Дата | Имя | Ключ | Оценка | BG | NBE | Дополнительная информация | BD | |
---|---|---|---|---|---|---|---|---|---|
8. | Клавишные композиции (см. Также: Список клавишных сольных композиций Иоганна Себастьяна Баха ) | Наверх ↑ | |||||||
772 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 1 - Изобретение №1 = WFB № 32: Преамбула. 1 | C май. | Клавиатура | 3: 1. 45: 221 | В / 5: 48. В / 3: 2 | → | 00902 |
772a | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 1a - | C майор. | Клавиатура | 3: 342 | V / 3: 4 | после BWV 772 | 00903 |
773 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 2 - = WFB No. 46: Преамбула. 15 | C мин. | Клавиатура | 3: 2. 45: 223 | В / 5: 76. В / 3: 6 | 00904 | |
774 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 3 - = WFB No. 45: Преамбула. 14 | D maj. | Клавиатура | 3: 3. 45: 223 | В / 5: 74. В / 3: 8 | 00905 | |
775 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 4 - = WFB No. 33: Преамбула. 2 | D мин. | Клавиатура | 3: 4. 45: 221 | В / 5: 50. В / 3: 10 | 00906 | |
776 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 5 - = WFB No. 44: Преамбула. 13 | E ♭ maj. | Клавиатура | 3: 6. 45: 222 | В / 5: 72. В / 3: 12 | 00907 | |
777 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 6 - = WFB No. 43: Преамбула. 12 | E maj. | Клавиатура | 3: 7. 45: 222 | В / 5: 70. В / 3: 14 | 00908 | |
778 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 7 - = WFB No. 34: Преамбула. 3 | E мин. | Клавиатура | 3: 9. 45: 221 | В / 5: 52. В / 3: 16 | 00909 | |
779 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 8 - = WFB No. 35: Преамбула. 4 | Ф майор. | Клавиатура | 3: 10. 45: 221 | В / 5: 54. В / 3: 18 | 00910 | |
780 | 8. | 1720-01-22. 1725-01-22 | Изобретения и симфонии No. 9 - = WFB No. 42: Преамбула. 11 | F мин. | Клавиатура | 3: 11. 45: 222 | В / 5: 68. В / 3: 20 | 00911 | |
781 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 10 – = WFB No. 36: Preamb. 5 | G maj. | Keyboard | 3: 12. 45: 221 | V/5: 56. V/3: 22 | 00912 | |
782 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 11 – = WFB No. 41: Preamb. 10 | G min. | Keyboard | 3: 13. 45: 222 | V/5: 66. V/3: 24 | 00913 | |
783 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 12 – = WFB No. 40: Preamb. 9 | A maj. | Keyboard | 3: 14. 45: 222 | V/5: 64. V/3: 26 | 00914 | |
784 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 13 – = WFB No. 37: Preamb. 6 | A min. | Keyboard | 3: 15. 45: 221 | V/5: 58. V/3: 28 | 00915 | |
785 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 14 – = WFB No. 39: Preamb. 8 | B♭ maj. | Keyboard | 3: 16. 45: 222 | V/5: 62. V/3: 30 | 00916 | |
786 | 8. | 1720-01-22. 1725-01-22 | Inventions and Sinfonias No. 15 – = WFB No. 38: Preamb. 7 | B min. | Keyboard | 3: 18. 45: 222 | V/5: 60. V/3: 32 | 00917 | |
787 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 16 – = WFB No. 49: Fantasia 1 | C maj. | Keyboard | 3: 19. 45: 227 | V/5: 90. V/3: 34 | 00918 | |
788 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 17 – = WFB No. 63: Fantasia 15 | C min. | Keyboard | 3: 20. 45: 231 | V/5: 118. V/3: 36 | 00919 | |
789 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 18 – = WFB No. 62: Fantasia 14 | D maj. | Keyboard | 3: 22. 45: 230 | V/5: 116. V/3: 38 | 00920 | |
790 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 19 – = WFB No. 50: Fantasia 2 | D min. | Keyboard | 3: 23. 45: 227 | V/5: 92. V/3: 40 | 00921 | |
791 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 20 – = WFB No. 61: Fantasia 13 | E♭ maj. | Keyboard | 3: 24. 45: 230 | V/5: 114. V/3: 42 | → | 00922 |
791a | 8. | 1723 | Sinfonias and Inventions No. 20a – | E♭ maj. | Keyboard | V/3: 44, 80 | after | 00923 | |
792 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 21 – = WFB No. 60: Fantasia 12 | E maj. | Keyboard | 3: 26. 45: 229 | V/5: 112. V/3: 46 | 00924 | |
793 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 22 – = WFB No. 51: Fantasia 3 | E min. | Keyboard | 3: 28. 45: 227 | V/5: 94. V/3: 48 | 00925 | |
794 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 | F maj. | Keyboard | 3: 29. 45: 227 | V/5: 96. V/3: 50 | 00926 | |
795 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 24 – = WFB No. 59: Fantasia 11 | F min. | Keyboard | 3: 30. 45: 229 | V/5: 110. V/3: 52 | 00927 | |
796 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 25 – = WFB No. 53: Fantasia 5 | G maj. | Keyboard | 3: 32. 45: 228 | V/5: 98. V/3: 54 | 00928 | |
797 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 26 – = WFB No. 58: Fantasia 10 | G min. | Keyboard | 3: 34. 45: 229 | V/5: 108. V/3: 56 | 00929 | |
798 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 27 – = WFB No. 57: Fantasia 9 | A maj. | Keyboard | 3: 36. 45: 229 | V/5: 106. V/3: 58 | 00930 | |
799 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 28 – = WFB No. 54: Fantasia 6 | A min. | Keyboard | 3: 38. 45: 228 | V/5: 100. V/3: 60 | 00931 | |
800 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 29 – = WFB No. 56: Fantasia 8 | B♭ maj. | Keyboard | 3: 40. 45: 228 | V/5: 104. V/3: 62 | 00932 | |
801 | 8. | 1720-01-22. 1725-01-22 | Sinfonias and Inventions No. 30 – = WFB No. 55: Fantasia 7 | B min. | Keyboard | 3: 41. 45: 228 | V/5: 102. V/3: 64 | 00933 | |
802 | 8. | 1739 | from Clavier-Übung III | E min. | Organ | 3: 242 | IV/4: 92 | 00934 | |
803 | 8. | 1739 | from Clavier-Übung III | F maj. | Organ | 3: 245 | IV/4: 96 | 00935 | |
804 | 8. | 1739 | from Clavier-Übung III | G maj. | Organ | 3: 248 | IV/4: 99 | 00936 | |
805 | 8. | 1739 | from Clavier-Übung III | A min. | Organ | 3: 251 | IV/4: 102 | 00937 | |
806 | 8. | 1714–1723 | English Suites, | A maj. | Keyboard | 45: 3. 13: 3 | V/7: 2 | 00938 | |
806a | 8. | 1714–1717 | English Suites, | A maj. | Keyboard | V/7: 116 | 00939 | ||
807 | 8. | 1725 or earlier | English Suites, | A min. | Keyboard | 45: 16. 13: 16 | V/7: 20 | 00940 | |
808 | 8. | 1725 or earlier | English Suites, | G min. | Keyboard | 45: 30. 13: 30 | V/7: 38 | 00941 | |
809 | 8. | 1725 or earlier | English Suites, | F maj. | Keyboard | 45: 41. 13: 41 | V/7: 54 | 00942 | |
810 | 8. | 1725 or earlier | English Suites, | E min. | Keyboard | 45: 53. 13: 53 | V/7: 70 | 00943 | |
811 | 8. | 1725 or earlier | English Suites, | D min. | Keyboard | 45: 68. 13: 68 | V/7: 90 | 00944 | |
812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 – French Suites, | D min. | Keyboard | 43 : VI | V/4: 3 | 00945 | |
Notebook A. M. Bach (1725) No. 30 – French Suites, | 43 : 40 | V/4: 109 | |||||||
French Suites, – Version A (Altnickol ) | 45: 89. 13: 89 | V/8: 2 | |||||||
French Suites, – Version B (early version) | V/8: 64 | ||||||||
813 | 8. | c.1722–1725 | Notebook A. M. Bach (1722) No. 2 – French Suites, | C min. | Keyboard | 43 : VI | V/4: 10, 42 | 00946 | |
Notebook A. M. Bach (1725) No. 31 – French Suites, | 43 : 44 | V/4: 116 | |||||||
French Suites, – Version A (Altnickol ) | 45: 94. 13: 94 | V/8: 10 | |||||||
French Suites, – Version B (early version) | V/8: 72 | ||||||||
36: 236 | |||||||||
814 | 8. | c.1722–1725 | Notebook A. M. Bach (1722) No. 3 – French Suites, | B min. | Keyboard | 43 : VII | V/4: 16, 43 | → | 00948 |
French Suites, – Version A (Altnickol ) | 45: 100. 13: 100 | V/8: 20 | |||||||
French Suites, – Version B (early version) | V/8: 82 | ||||||||
814a | 8. | c.1720–1739 | French Suites, – Variant | B min. | Keyboard | 45: 100. 36: 237. 13: 100 | V/8: 166 | after /1–/5, 814/7 | 00949 |
815 | 8. | c.1722–1725 | Notebook A. M. Bach (1722) No. 4 French Suites, | E♭ maj. | Keyboard | 43 : VII | V/4: 23 | → | 00950 |
French Suites, – Version A (Altnickol ) | 45: 106. 13: 106 | V/8: 30 | |||||||
French Suites, – Version B (early version) | V/8: 92 | ||||||||
36: 236 | |||||||||
815a | 8. | c.1722–1725 or later | French Suites, – Variant | E♭ maj. | Keyboard | 36: 234. 45: 106. 13: 108 | V/8: 176 | after /1–/5 | 00951 |
816 | 8. | c.1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suites, | G maj. | Keyboard | 43 : VII | V/4: 30 | 00952 | |
French Suites, – Version A (Altnickol ) | 45: 112. 13: 112 | V/8: 40 | |||||||
French Suites, – Version B (early version) | V/8: 102 | ||||||||
817 | 8. | c.1725 or later | French Suites, – Version A (Altnickol ) | E maj. | Keyboard | 45: 120. 13: 120 | V/8: 52 | 00953 | |
French Suites, – Version B (early version) | V/8: 114 | ||||||||
818 | 8. | 1720–1722 | Suite for keyboard (early version) | A min. | Keyboard | 36: 3 | V/8: 129 | 00954 | |
818a | 8. | after 1721 | (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | 00955 | |
819 | 8. | before 1726 | Suite for keyboard (early version) | E♭ maj. | Keyboard | 36: 8 | V/8: 136 | 00956 | |
819a | 8. | 1725–1728 | (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | 00957 | |
820 | 8. | 1705–1713 | F maj. | Keyboard | 36: 14 | V/10: 43 | 00958 | ||
822 | 8. | G min. | Keyboard | V/10: 68 | after unknown model? | 00960 | |||
823 | 8. | before 1727 | F min. | Keyboard | 36: 229 | V/10: 50 | 00961 | ||
825 | 8. | 1725–1726 | Partita No. 1 from Clavier-Übung I | B♭ maj. | Keyboard | 3: 46 | V/1: 2 | 00963 | |
826 | 8. | 1725–1727 | Partita No. 2 from Clavier-Übung I | C min. | Keyboard | 3: 56 | V/1: 15 | 00964 | |
827 | 8. | 1725–1727 | Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I | A min. | Keyboard | 3: 70 | V/1: 35. V/4: 47 | 00964 | |
828 | 8. | 1725–1728 | Partita No. 4 from Clavier-Übung I | D maj. | Keyboard | 3: 82 | V/1: 50 | 00966 | |
829 | 8. | 1725–1730 | from Clavier-Übung I | G maj. | Keyboard | 3: 102 | V/1: 72 | 00967 | |
830 | 8. | 1725–1730 | Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I | E min. | Keyboard | 3: 116 | V/1: 90. V/4: 60 | after BWV 1019a /3 /5 | 00968 |
831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B min. | Harpsichord | 3: 154 | V/2: 20 | after BWV 831a | 00969 |
831a | 8. | 1727–1733 | Overture in the French style (early version) | C min. | Keyboard | V/2: 43 | → BWV 831 | 00970 | |
832 | 8. | before 1707 | A maj. | Keyboard | 42: 255 | V/10: 54 | in Möllersche Handschrift | 00971 | |
833 | 8. | before 1707 | F maj. | Keyboard | V/10: 60 | in Möllersche Handschrift | 00972 | ||
836 | 8. | 1720–1721 | , Klavierbüchlein WFB No. 6 | G min. | Keyboard | 45: 214 | V/5: 8 | by Bach, W. F. J. S.? | 00975 |
837 | 8. | 1720–1721 | , Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 45: 215 | V/5: 10 | by Bach, W. F. J. S.? | 00976 |
841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209. 45: 215 | V/5: 16 V/4: 44 | by Bach, W. F. J. S.? | 00980 |
842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209. 45: 216 | V/5: 17 | by Bach, W. F. (BR A43 ) J. S.? | 00981 |
843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210. 45: 216 | V/5: 18 | 00982 | |
846 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 1 | C maj. | Keyboard | 14: 3 | V/6.1: 2 | after | 00986 |
846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C maj. | Keyboard | V/4: 107 | 00986 | ||
846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C maj. | Keyboard | 45: 216 | V/5: 19. V/6.1: 127 | → BWV 846 /1 | 00987 |
847 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6. 45: 216 | V/5: 20. V/6.1: 2 | after | 00988 |
847a | 8. | Prelude and Fughetta (early WTC I No. 2) | C min. | Keyboard | V/6.1: 130 | → BWV 847 | 00989 | ||
848 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10. 45: 218 | V/5: 30. V/6.1: 2 | after | 00990 |
848a | 8. | Prelude and Fughetta (early WTC I No. 3) | C♯ maj. | Keyboard | V/6.1: 134 | → BWV 848 | 00991 | ||
849 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 4 (/1 = WFB No. 22: Praeludium [9]) | C♯ min. | Keyboard | 14: 14. 45: 218 | V/5: 32. V/6.1: 2 | after | 00992 |
849a | 8. | Prelude and Fughetta (early WTC I No. 4) | C♯ min. | Keyboard | V/6.1: 140 | → BWV 849 | 00993 | ||
850 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18. 45: 217 | V/5: 23. V/6.1: 2 | after | 00994 |
850a | 8. | Prelude and Fughetta (early WTC I No. 5) | D maj. | Keyboard | V/6.1: 146 | → | 00995 | ||
851 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22. 45: 217 | V/5: 22. V/6.1: 2 | after | 00996 |
851a | 8. | Prelude and Fughetta (early WTC I No. 6) | D min. | Keyboard | V/6.1: 150 | → | 00997 | ||
852 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | after | 00998 |
852a | 8. | Prelude and Fughetta (early WTC I No. 7) | E♭ maj. | Keyboard | V/6.1: 154 | → | 00999 | ||
853 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ min.. D♯ min. | Keyboard | 14: 32. 45: 218 | V/5: 34. V/6.1: 38 | after ; → /1 | 01000 |
853a | 8. | Prelude and Fughetta (early WTC I No. 8) | E♭ min.. D♯ min. | Keyboard | V/6.1: 160 | → | 01001 | ||
854 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36. 45: 218 | V/5: 26. V/6.1: 44 | after | 01002 |
854a | 8. | Prelude and Fughetta (early WTC I No. 9) | E maj. | Keyboard | V/6.1: 166 | → | 01003 | ||
855 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | after BWV 855a | 01004 |
855a | 8. | c.1720 | Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5 ) | E min. | Keyboard | 45: 217 | V/5: 24. V/6.1: 170 | → BWV 855 | 01005 |
856 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42. 45: 218 | V/5: 28. V/6.1: 54 | after | 01006 |
856a | 8. | Prelude and Fughetta (early WTC I No. 11) | F maj. | Keyboard | V/6.1: 174 | → | 01007 | ||
857 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44. 45: 218 | V/5: 36. V/6.1: 58 | after | 01008 |
857a | 8. | Prelude and Fughetta (early WTC I No. 12) | F min. | Keyboard | V/6.1: 178 | → | 01009 | ||
858 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | after | 01010 |
858a | 8. | Prelude and Fughetta (early WTC I No. 13) | F♯ maj. | Keyboard | V/6.1: 184 | → | 01011 | ||
859 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | after | 01012 |
859a | 8. | Prelude and Fughetta (early WTC I No. 14) | F♯ min. | Keyboard | V/6.1: 188 | → | 01013 | ||
860 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | after | 01014 |
860a | 8. | Prelude and Fughetta (early WTC I No. 15) | G maj. | Keyboard | V/6.1: 192 | → | 01015 | ||
861 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 16 | G min. | Keyboard | 14: 57 | V/6.1: 78 | after | 01016 |
861a | 8. | Prelude and Fughetta (early WTC I No. 16) | G min. | Keyboard | V/6.1: 198 | → BWV 861 | 01017 | ||
862 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | after | 01018 |
862a | 8. | Prelude and Fughetta (early WTC I No. 17) | A♭ maj. | Keyboard | V/6.1: 202 | → | 01019 | ||
863 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | after | 01020 |
863a | 8. | Prelude and Fughetta (early WTC I No. 18) | G♯ min. | Keyboard | V/6.1: 206 | → | 01021 | ||
864 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | after | 01022 |
864a | 8. | Prelude and Fughetta (early WTC I No. 19) | A maj. | Keyboard | V/6.1: 210 | → | 01023 | ||
865 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | after | 01024 |
865a | 8. | Prelude and Fughetta (early WTC I No. 20) | A min. | Keyboard | V/6.1: 216 | → | 01025 | ||
866 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | after | 01026 |
866a | 8. | Prelude and Fughetta (early WTC I No. 21) | B♭ maj. | Keyboard | V/6.1: 224 | → | 01027 | ||
867 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | after ; → [commons ] | 01028 |
867a | 8. | Prelude and Fughetta (early WTC I No. 22) | B♭ min. | Keyboard | V/6.1: 228 | → | 01029 | ||
868 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | after | 01030 |
868a | 8. | Prelude and Fughetta (early WTC I No. 23) | B maj. | Keyboard | V/6.1: 232 | → | 01031 | ||
869 | 8. | 1722 | Well-Tempered Clavier I, P. F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | after | 01032 |
869a | 8. | Prelude and Fughetta (early WTC I No. 24) | B min. | Keyboard | V/6.1: 236 | → | 01033 | ||
870b. 870/2 | 8. | 1739–1742 | Well-Tempered Clavier II, P. F. No. 1 (version A) | C maj. | Keyboard | 45: 243. 14: 94 | V/6.2: 2,. 6, 342 | 01036 | |
871 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8,. 160 | → /1 | 01037 |
872 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12,. 164, 352 | after | 01038 |
872a/1 | 8. | 1739–1740 | Prelude (early WTC II, P. F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | → /1 | 01039 |
872a/2 | 8. | 1738 | Fughetta (early WTC II, P. F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | → /2 | 01039 |
873 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16,. 168 | 01040 | |
874 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24,. 176 | → /5 | 01041 |
875 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30. 182, 348,. 356 | after | 01042 |
875a | 8. | 1739–1740 | Preambulum (early WTC II, P. F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | → /1 | 01043 |
876 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36,. 188, 354 | → /2 | 01044 |
877 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42,. 194 | → /4 | 01045 |
878 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48,. 200 | → /3 | 01046 |
879 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54,. 206 | 01047 | |
880 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62,. 215 | 01048 | |
881 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69,. 221 | 01049 | |
882 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76,. 228 | → /3 | 01050 |
883 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84,. 236 | → /2 | 01051 |
884 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90,. 242, 350 | after /2 | 01052 |
885 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94,. 246 | 01053 | |
886 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100,. 108, 252 | after /2 | 01054 |
887 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112,. 260 | 01055 | |
888 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120,. 268 | 01056 | |
889 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124,. 272 | 01057 | |
890 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128,. 276 | 01058 | |
891 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134,. 282 | 01059 | |
892 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142,. 290 | 01060 | |
893 | 8. | 1739–1742. 1744 | Well-Tempered Clavier II, P. F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150,. 298 | 01061 | |
870 | 8. | 1744 | Well-Tempered Clavier II, P. F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | after | 01034 |
894 | 8. | 1710–1717 (JTK ) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | → BWV 1044 /1, /3; in SBB P 801, P 804 | 01062 |
895 | 8. | 1709 () | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in Yale LM 4982 | 01063 |
896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | in Möllersche Handschrift | 01064 |
870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307,. 310 | → BWV 870 ; in SBB P 804, P 1089 | 01035 |
899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314. V/12: 24 | in SBB P 804, P 1089 | 01068 |
900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2. V/12 | in SBB P 804, P 1089 | 01069 |
901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | → /2; in SBB P 1089 | 01070 |
902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | → /2; in SBB P 804, P 1089 | 01071 |
902/1a | 8. | before 1727 | Prelude (previous Prelude to /2) | G maj. | Keyboard | 36: 220 | V/6.2: 334,. 338 | → /2; in SBB P 804 | 01072 |
903 | 8. | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | after ; in SBB P 803, P 651 | 01073 | |
903a | 8. | (early BWV 903 /1) | D min. | Keyboard | 36: 219 | V/9.2: 90 | → BWV 903 /1; in D-DS Mus. ms. 69 | 01074 | |
904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBB P 804 | 01075 |
906 | 8. | before 1729. c.1738 | Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | 01077 |
910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | in Andreas-Bach-Buch | 01081 |
911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | in Andreas-Bach-Buch | 01082 |
912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | after ; ↔ BWV 532 /1 | 01083 |
912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | → BWV 912 ; in Möllersche Handschrift | 01084 |
913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | after | 01085 |
913a | 8. | Toccata | D min. | Kb (or) Org | V/9.1: 52 | → BWV 913 ; publ. 1801 | 01086 | ||
914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | 01087 | |
915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | 01088 | |
916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | in Andreas-Bach-Buch | 01089 |
917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | in Möllersche Handschrift | 01090 |
918 | 8. | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | 01091 | ||
921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | in Andreas-Bach-Buch | 01094 |
922 | 8. | 1710–1714 (JTK ) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBB P 803 | 01095 |
923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | by Pachelbel, W. H. ?; → ; in SBB P 401 | 01096 |
924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118. 45: 214 | V/5: 4 | → | 01098 |
924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221. 45: 220 | V/5: 41 | after ; BR A44 F(add) 206 | 01099 |
925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121. 45: 220 | V/5: 42 | BR A45 F(add) 206 | 01100 |
926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122. 45: 214 | V/5: 6 | 01101 | |
927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124. 45: 215 | V/5: 10 | 01102 | |
928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124. 45: 215 | V/5: 14 | 01103 | |
929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48) | G min. | Keyboard | 36: 126. 45: 226 | V/5: 89 | → | 01104 |
930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126. 45: 215 | V/5: 12 | 01105 | |
931 | 8. | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237. 45: 220 | V/5: 45 | BR A47 F(add) 206 | 01106 |
932 | 8. | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237. 45: 220 | V/5: 44 | BR A46 F(add) 206 | 01107 |
933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBB P 542, P 885 | 01108 |
934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBB P 542, P 885 | 01109 |
935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBB P 542, P 885 | 01110 |
936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBB P 542, P 885 | 01111 |
937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBB P 542, P 885 | 01112 |
938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBB P 542, P 885 | 01113 |
939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBB P 804 | 01114 |
940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBB P 804 | 01115 |
941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBB P 804 | 01116 |
942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBB P 804 | 01117 |
943 | 8. | 1725–1727 | Five Little Preludes No. 5 | C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBB P 804 | 01118 |
944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | in Andreas-Bach-Buch | 01119 |
946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | 01121 |
947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N. Mus. ms. 10580 | 01123 |
949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | 01124 |
950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj.. G maj. | Keyboard | 36: 173 | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | 01125 |
951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | after ; in SBB P 801 | 01126 |
951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | after Albinoni (theme); → ; in D-LEm Poel. mus. Ms. 9 | 01127 |
952 | 8. | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | 01128 | ||
953 | 8. | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186. 45: 220 | V/5: 46 | 01129 | |
954 | 8. | early work? | Fugue on a theme by Reincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme) | 01130 |
955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | after ; in SBB P 425, P 804 | 01131 |
955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | by ?; → ; in SBB P 247, P 595 | 01132 |
959 | 8. | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 | |
961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBB P 823 | 01138 |
963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBB P 804 | 01140 |
965 | 8. | c.1714–1717. or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 29 | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | 01142 |
966 | 8. | c.1714–1717. or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 42 | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | 01143 |
967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 45: 168 | V/9.2: 184 | in SBB P 804 | 01144 |
971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F maj. | Harpsichord | 3: 139 | V/2: 2 | 01148 | |
972 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (1/16) | D maj. | Keyboard | 42: 59 | V/11: 3 | after Vivaldi, Op. 3 No. 9 | 01149 |
972a | 8. | July 1713–. July 1714 | Concerto for solo keyboard (1/16), early version | D maj. | Keyboard | V/11: 161 | after Vivaldi, Op. 3 No. 9 | 01150 | |
973 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (2/16) | G maj. | Keyboard | 42: 59 | V/11: 12 | after Vivaldi, Op. 7 No. 8 | 01151 |
974 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (3/16) | D min. | Keyboard | 42: 59 | V/11: 20 | after Marcello, A., Oboe Concerto | 01152 |
975 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (4/16) | G min. | Keyboard | 42: 59 | V/11: 30 | after Vivaldi, Op. 4 No. 6 | 01153 |
976 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (5/16) | C maj. | Keyboard | 42: 59 | V/11: 39 | after Vivaldi, Op. 3 No. 12 | 01154 |
977 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (6/16) | C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
978 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (7/16) | F maj. | Keyboard | 42: 59 | V/11: 56 | after Vivaldi, Op. 3 No. 3 (RV 310) | 01156 |
979 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (8/16) | B min. | Keyboard | 42: 59 | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli ) | 01157 |
980 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (9/16) | G maj. | Keyboard | 42: 59 | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | 01158 |
981 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (10/16) | C min. | Keyboard | 42: 59 | V/11: 90 | after Marcello, B., Op. 1 No. 2 | 01159 |
982 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (11/16) | B♭ maj. | Keyboard | 42: 59 | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
983 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (12/16) | G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
984 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (13/16) | C maj. | Keyboard | 42: 59 | V/11: 118 | after J. E. of Saxe-Weimar, lost Concerto ; → BWV 595 | 01162 |
985 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (14/16) | G min. | Keyboard | 42: 59 | V/11: 128 | after Telemann, TWV 51:g1 | 01163 |
986 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (15/16) | G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
987 | 8. | July 1713–. July 1714 | Concerto for solo keyboard (16/16) | D min. | Keyboard | 42: 59 | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
988 | 8. | 1741–1742 | Goldberg Variations (Clavier-Übung IV ) | G maj. | Harpsichord | 3: 263 | V/2: 69 | → BWV 1087 | 01166 |
988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | → BWV 1087 | 01166 |
989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | in Andreas-Bach-Buch | 01167 |
991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 43: 4 | V/4: 40 | 01169 | |
992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | in Möllersche Handschrift | 01170 |
993 | 8. | c.1705 | [scores ] | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBB P 804 | 01171 |
994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237. 45:214 | V/5: 4 | 01172 | |
9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach ) | Up ↑ | |||||||
995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | V/10: 81 | after BWV 1011.. | 01173 | |
996 | 9. | 1710–1717 (JGW ) | Suite for lute | E min. | Lu (Lw ?) | 45: 149 | V/10: 94 | in SBB P 801, pp. 385–395. | 01174 |
997.1 | 9. | 1720–1739 | Suite (1st version) | C min. | Lw | 45: 156 | V/10: 102 | in SBB P 650; → BWV 997.2. | 01175 |
997.2 | 9. | 1720–1739 | Suite (2nd version) | C min. | Lu | 45: 156 | V/10: 102 | in D LEm III 11.5; after BWV 997.1. | 11576 |
998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 45: 141 | V/10: 114 | . | 01176 |
999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBB P 804, pp. 101–103 | 01177 |
1000 | 9. | after 1720 | Fugue | G min. | Lu | V/10: 124 | after BWV 1001 /2; → /2; in MB Lpz III.11.4. | 01178 | |
1006.2 | 9. | c.1736–1737 | Suite | E maj. | Lu? | 42: 16 | V/10: 134 | after BWV 1006.1. | 01185 |
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