Felisberto Hernández
Felisberto Hernandez (October 20, 1902 – January 13, 1964) was an Uruguayan writer, composer, and pianist.
Background[edit]
Hernández was born the eldest of four children in the Atahualpa neighborhood of Montevideo, Uruguay. His father, Prudencio Hernández, was from Tenerife, Canary Islands; his mother, Juana Silva, was born in Rocha, Uruguay.
At the age of nine, Hernández began to study piano. Later, Hernández was taught composition and harmony by Clemente Colling. Due to economic hardship, Hernández began to teach piano himself and accompany silent films at the age of 16. By the age of 20, Hernández began to perform in public recitals, including works of his own creation on his programs. Hernández, at the age of 23, became a pupil of Guillermo Kolischer.
He died of complications related from leukemia.[1] A selection of his papers is stored in the archives of American University in Washington, D.C.[2]
Short stories[edit]
Hernández is considered to be the forefather of magic realism, predating writers such as Gabriel García Márquez, Italo Calvino and Julio Cortázar, who all note Hernández as a major influence.[3] This fact can be seen in a letter by Cortázar to Hernández entitled "Letter In One's Own Hand" in which the younger Cortázar praises Hernández for the trail he blazed. Hernández's fiction often explores the secret vitality contained in inanimate objects.
Some of his most famous stories are: "The Balcony," "My First Concert," and "Daisy Dolls."
Works published during Hernández's lifetime[edit]
- Fulano de tal (1925)
- Libro sin tapas (1928)
- La cara de Ana (1930)
- La envenenada (1931)
- Por los tiempos de Clemente Colling (1942)
- El caballo perdido (1943)
- Nadie encendía las lámparas (1947)
- Las Hortensias (1949)
- La casa inundada (1960)
Selected works translated into English[edit]
- "The Daisy Dolls", in Masterworks of Latin American Short Fiction: Eight Novellas, Icon Editions, 1996.
- Piano Stories, translated by Luis Harss, Marsilio Publishers, 1993. Reissued by New Directions, 2014.
- "Crocodile", in Two Crocodiles, translated by Esther Allen, New Directions, 2013.
- Lands of Memory, translated by Esther Allen, New Directions Press, 2002.
Adaptations[edit]
Hernández' life and work was the subject of the short film Unmistaken Hands: Ex Voto F.H by the animation filmmakers the Quay Brothers. The short was inspired in particular by the Hernández short stories "The Balcony" and "The Flooded House" and is available to view as part of the British Film Institute's Blu-ray collection of the Quays films.
See also[edit]
References[edit]
- ^ Levine, Suzanne Jill (August 8, 1993). "The Bard of Montevideo". Washington Post. Retrieved 2021-03-09.
- ^ "Felisberto Hernandez Papers". American University. Retrieved 2021-03-09.
- ^ "Felisberto Hernández | Uruguayan writer". Encyclopedia Britannica. Retrieved 2021-03-09.
Further reading[edit]
Graziano, Frank. The Lust of Seeing: Themes of the Gaze and Sexual Rituals in the Fiction of Felisberto Hernández. Lewisburg, PA: Bucknell University Press, 1997.
External links[edit]
- Felisberto Hernandez at Britannica.com
- "The White Dress," a short story by Hernández translated by Peter Robertson at Turnrow literary journal
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