Shall We Gather at the River?

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Shall We Gather at the River?
by Robert Lowry
Robert Lowry
GenreHymn
Written1864
Based onRevelation 22:1
Meter8.7.8.7 with refrain
Melody"Hanson Place"
Published1865
PublisherAmerican Tract Society

"Shall We Gather at the River?" or simply "At the River" are the popular names for the traditional Christian hymn originally titled "Beautiful River" and subsequently titled "Hanson Place," written by American poet and gospel music composer Robert Lowry (1826–1899). It was written in 1864 and is now in the public domain. The title "Hanson Place" is a reference to the original Hanson Place Baptist Church in Brooklyn, where Lowry, as a Baptist minister, sometimes served. The original building now houses a different denomination.

The music is in the key of D and uses an 8.7.8.7 R meter. An arrangement was also composed by Charles Ives, and a later arrangement is included in Aaron Copland's Old American Songs (1952) in addition to being used by German composer Anton Plate in 'At The River' (2003), and by American wind band composer David Maslanka in his Symphony No. 9 (2011). The song was sung live at the 1980 funeral of American Supreme Court Justice William O. Douglas.

There have been many recordings of the hymn including those by Patti Page, Burl Ives and Willie Nelson. [1]

Lyrics[edit]

The song's lyrics refer to the Christian concept of the anticipation of restoration and reward, and reference the motifs found at Revelation 22:1–2 - a crystal clear river with water of life, issuing from the throne of heaven, all presented by an angel of God. It also brings to mind Acts 16:13, where Paul found women gathered by the river outside the city gates of Phillipi.


Chorus :

Yes, we’ll gather at the river,
The beautiful, the beautiful river;
Gather with the saints at the river
That flows by the throne of God.

Music[edit]


{ \new ChoirStaff <<
    \language "english" 
  \new Staff << 
    \new Voice \relative c' { \set Staff.midiInstrument = "church organ" \set Score.tempoHideNote = ##t \override Score.BarNumber  #'transparent = ##t \tempo 4 = 88 \voiceOne \clef treble \key d \major \time 4/4
    fs4 fs fs8. e16 fs8. g16 | a2 fs | g4 g g8. a16 g8. fs16 | e2( a)
    fs4 fs fs8. e16 fs8. g16 | a2 fs4 fs8 g | e4 e8 fs g4 fs8 e | d1
    b'4 b d8. cs16 d8. b16 | a2 fs4. fs8 | g8. fs16 g8. fs16 g8. fs16 g8 e | fs2 a
    b8. b16 b8. b16 d8. cs16 d8. b16 | a2 fs4 fs | e e8. fs16 g4 fs8 e | d1 \bar "|."
 } 
   \addlyrics {\set stanza = #"1. "
    Shall we gath -- er at the riv -- er,
    Where bright an -- gel feet have trod;
    With its crys -- tal tide for -- ev -- er
    Flow -- ing by the _ throne of _ God?
    Yes, we’ll gath -- er at the riv -- er,
    The beau -- ti -- ful, the beau -- ti -- ful _ riv -- er;
    Gath -- er with the saints  _ at the riv -- er
    That flows by the throne of _ God.
   }
   \addlyrics {\set stanza = #"2. "     
    On the mar -- gin of the riv -- er,
    Wash -- ing up its sil -- ver spray,
    We will walk and wor -- ship ev -- er,
    All the hap -- py _ gold -- en _ day.
   }
   \addlyrics {\set stanza = #"3. "
    Ere we reach the shin -- ing riv -- er,
    Lay we ev -- 'ry bur -- den down;
    Grace our spir -- its will de --liv -- er,
    And pro -- vide a _ robe and _ crown. 
   }
   \addlyrics {\set stanza = #"4. "
    Soon we'll reach the shin -- ing riv -- er
    Soon our pil -- grim -- age will cease
    Soon our hap -- py hearts will quiv -- er
    With the mel -- o _ -- dy of _ peace
   }
    \new Voice \relative c' { \voiceTwo 
    d4 d d8. d16 d8. e16 | fs2 d | e4 e e8. fs16 e8. d16 | cs1
    d4 d d8. d16 d8. e16 | fs2 d4 d8 e | cs4 cs8 d e4 d8 cs | d1
    g4 g g8. g16 g8. g16 | fs2 d4. d8 | e8. ds16 e8. ds16 e8. ds16 e8 cs | d2 fs
    g8. g16 g8. g16 g4 g8. g16 | fs2 d4 d | cs cs8. d16 e4 d8 cs | d1
 } 
  >>
  \new Staff <<
    \new Voice \relative c' { \set Staff.midiInstrument = "church organ" \clef bass \key d \major \time 4/4 \voiceOne
    a4 a a8. a16 a8. a16 | d2 a | a4 a a8. a16 a8. a16 | a1
    a4 a a8. a16 a8. a16 | d2 a4 a8 a | a4 a a a8 g | fs1
    d'4 d b8. as16 b8. d16 | d2 a4. a8 | a8. a16 a8. a16 a8. a16 a4 | a2 d
    d8. d16 d8. d16 b8. as16 b8. d16 | d2 a4 a | a a8. a16 a4 a8 g | fs1 \bar "|."
 }
    \new Voice \relative c { \voiceTwo 
    d4 d d8. d16 d8. d16 | d2 d | a4 a a8. a16 a8. a16 | a1
    d4 d d8. d16 d8. d16 | d2 d4 d8 d | a4 a a a | d1
    g4 g g8. g16 g8. g16 | d2 d4. d8 | a8. a16 a8. a16 a8. a16 a4 | d2 d
    g8. g16 g8. g16 g4 g8. g16 | d2 d4 d | a a8. a16 a4 a | d1
 } 
>> >> }

In popular culture[edit]

In film Westerns[edit]

The song was often employed in Western soundtracks, particularly those of director John Ford (being one of his favorite hymns) and it features in many of Ford's most famous films. The melody is played paradoxically in Stagecoach (1939), in the early scene is which Claire Trevor's character Dallas is run out of town. It also appears in Ford's Tobacco Road (1941), My Darling Clementine (1946), Three Godfathers (1948), Wagon Master (1950), twice in The Searchers (1956), and 7 Women (1966).

The song is also heard in Gene Fowler, Jr.'s The Oregon Trail (1959) and in Elliot Silverstein's Cat Ballou (1965). It was used in the Sam Peckinpah films Major Dundee (1965) and also The Wild Bunch (1969) where it was employed as ironic counterpoint during an onscreen massacre. It was similarly put to use in such dark, late-period Westerns as 1968's Hang 'Em High and 1972's Jeremiah Johnson.[2]

The song was used in Gore Verbinski's infamous 2013 pastiche western, The Lone Ranger.

In other films[edit]

It features prominently in David Lean's romantic comedy Hobson's Choice (1954) and in Richard Brooks's drama Elmer Gantry (1960). A caricatural vocal rendition of the song (with new revival-style lyrics) is used for both a car chase and the end credits of Howard Morris' caper comedy, Who's Minding the Mint? (1967). It is also included in the film adaptation of The Handmaid's Tale (film).

Part of the hymn was sung in the Academy Award-winning period film, Trip to Bountiful (1985). The hymn is a primary musical theme for schlock film Tromeo and Juliet (1996), credited on the soundtrack as Yes, We'll Gather at the River.[3] The title "Shall We Gather at the River" is used as the name of a second season episode of Falling Skies. The hymn opens Richard Rossi's 1920s period piece drama Aimee Semple McPherson.[4][5]

International use[edit]

In Sweden, the 1876 hymn to the same melody O, hur saligt att få vandra ("O, how blessed it is to walk") became one of the most popular songs of the widespread Swedish revivalist movement. A drinking song to the same melody, Jag har aldrig vart på snusen ("I've never been on snus"), partly mocking the religious message of the Swedish original, is one of the most popular drinking songs at Swedish universities.[citation needed]

In Germany, the melody of the hymn became a well-known christmas carol named Welchen Jubel, welche Freude ("What rejoice, o what a joy") with the lyrics of Ernst Gebhardt [de] (1832–1899).[6]

In 1937, the tune was adopted in Japan to a popular enka song Tabakoya no Musume (タバコやの娘 [ja], "The Girl at the Tobacconist's"). This enka song was soon parodied into juvenile song about the testicles of the tanuki (たんたんたぬき), which goes, "Tan-tan-tanuki's testicles: there isn't any wind, but [they still go] swing swing swing". The parodied version of the song remain popular among Japanese children and adults to this day. "Tabakoya no Musume" later formed the basis of the Bic Camera jingle.[7]

The University of Antioquia in Medellin, Colombia uses the same melody in its official song.[8]

The British band Groove Armada's single "At the River" features a trombone part derived from "Shall We Gather at the River?", played by band member Andy Cato.[9]

References[edit]

  1. ^ "secondhandsongs.com". secondhandsongs.com. Retrieved April 23, 2021.
  2. ^ Silva, Robert. "AMC - Blogs - Future of Classic - in John Ford's West, a Methodist Hymn Starts Somber, then Inspires Sarcasm". Archived from the original on 2009-01-16. Retrieved 2009-02-02. Future of Classic, 2009-01-10. Retrieved on 2009-02-02
  3. ^ Amazon website. [1] Retrieved on 2010-06-05
  4. ^ Gilbert, Ryan (November 5, 2012). "Hallelujah! How Faith Healer Aimee Semple McPherson Inspired the Rip-Roaring New Musical Scandalous". Broadway Buzz.
  5. ^ Wooding, Dan (February 5, 2011). "Maverick Minister Richard Rossi Goes Hollywood". Assist News Service. Sloppy Noodle Inc. Retrieved January 28, 2016.
  6. ^ published in Frohe Botschaft in Liedern - song no. 17 (page 20) [2]
  7. ^ "ビックカメラの歌 CMソング 各店舗の歌詞". World Folk Song. Retrieved January 17, 2024.
  8. ^ University of Antioquia website [3] (Spanish) Retrieved on 2017-07-17
  9. ^ Simpson, Dave (20 November 2018). "Groove Armada: how we made At the River". theguardian.com. Retrieved 29 November 2018.

External links[edit]