Natasha, Pierre & The Great Comet of 1812

Natasha, Pierre & The Great Comet of 1812
The Great Comet
Music	Dave Malloy
Lyrics	Dave Malloy
Book	Dave Malloy
Basis	War and Peace by Leo Tolstoy
Productions	2012 Off-Off-Broadway 2013 Off-Broadway 2016 Broadway 2023 Australia premiere 2023 Canada premiere 2025 Toronto
Awards	Richard Rodgers Award for Musical Theater Nominated for 2017 Tony Award for Best Musical

Natasha, Pierre & The Great Comet of 1812 (or simply The Great Comet) is a sung-through musical adaptation of a 70-page segment from Leo Tolstoy's 1869 novel War and Peace written by composer/lyricist Dave Malloy and directed by Rachel Chavkin. It is based on Part 8 of Tolstoy's novel, focusing on Natasha's romance with Anatole and Pierre's search for meaning in his life.

The musical originally ran at the Ars Nova in 2012, followed by 2013 stagings in both the Meatpacking District and the Theater District of Manhattan, a 2014 Spanish-language staging in Quito, Ecuador, and a 2015 remounting at the American Repertory Theater in Cambridge, Massachusetts. The Great Comet premiered on Broadway in November 2016 at the Imperial Theatre, and closed in September 2017.

The original Off-Broadway production of the show had Dave Malloy and Phillipa Soo playing the roles of Pierre Bezukhov and Natasha Rostova respectively. Once the show was taken to Broadway, Josh Groban and Denée Benton made their Broadway debuts in the roles of Pierre and Natasha.

The musical received positive reviews, particularly for Phillipa Soo, Denée Benton, and Josh Groban's leading performances, as well as for the production's score, direction, and scenic design. The show was nominated for 12 awards – the highest number of nominations in the season – for the 2017 Tony Awards, including Best Musical, Best Original Score, Best Book of a Musical, Best Actress in a Musical for Benton, Best Actor in a Musical for Groban, Best Featured Actor in a Musical for Lucas Steele, and Best Direction of a Musical for Chavkin. It won two awards: Best Scenic Design for Mimi Lien and Best Lighting Design in a Musical for Bradley King.

Synopsis

Act I

The musical starts in 1812, Moscow, Russia, by introducing the characters ("Prologue"). The audience is then introduced to Pierre Bezukhov, a depressed, unhappily married man who feels he is wasting his life ("Pierre"). He is a good friend of Andrey Bolkonsky, who is away fighting in the war. Andrey has recently become engaged to Natasha Rostova. Natasha and her cousin, Sonya Rostova, arrive in Moscow to visit Natasha’s godmother, Marya Dmitrievna, and wait for Andrey to come home ("Moscow"). Natasha is to meet her future in-laws, Andrey’s sister, the lonely Mary Bolkonskaya, and his father, the old Prince Bolkonsky who are trapped in a hateful co-existence ("The Private and Intimate Life of the House"). However, their meeting ends in disaster, as Natasha finds Mary cold and Mary finds Natasha vain, with Bolkonsky behaving bizarrely and dismissing Natasha ("Natasha & Bolkonskys"). Natasha leaves, missing Andrey more than ever and recalls the time they first met ("No One Else").

The next night, Natasha watches an opera with Sonya and Marya. Natasha catches the eye of Pierre's brother-in-law Anatole Kuragin, a notorious rogue and womaniser ("The Opera"). Anatole visits Natasha in her box to flirt and leaves her with feelings she has never experienced before ("Natasha & Anatole").

Anatole arrives home after the opera and goes out drinking with his friend, Fedya Dolokhov, and Pierre. They are met by Hélène Bezukhova, the unfaithfully promiscuous wife of Pierre and shamelessly suggestive sister of Anatole. Anatole lusts for Natasha, although it is revealed he is already married. Hélène flirts with Dolokhov, who taunts Pierre by raising a toast to "married women and their lovers". A drunk Pierre finds Dolokhov's behaviour insulting and challenges him to a duel. Pierre accidentally wounds Dolokhov and Dolokhov, despite being a renowned crack shot, miraculously misses him. Before they all leave, Anatole asks Hélène to invite Natasha to a ball that evening and she agrees ("The Duel"). They leave Pierre, who reflects on his near-death experience and realizes that despite wasting his life, he wishes to live and find love ("Dust and Ashes").

The next morning, as Natasha is preparing for church, she is confused about her feelings for Anatole at the opera and questions whether they mean she has betrayed Andrey, fearing that something may stop them from being together ("Sunday Morning"). Later that day, Hélène visits Natasha and invites her to the ball, praising her beauty, and Natasha agrees to attend. Hélène privately revels in the scandalous idea of her brother and Natasha getting together ("Charming").

That night at the ball, Natasha is met by Anatole, and they dance. Anatole professes his love to Natasha, who tries to tell him that she is already engaged. Ignoring this, Anatole kisses Natasha, leading her to fall in love with him in return ("The Ball").

Act II

After his duel with Dolokhov, Pierre begins studying to search for enlightenment. Natasha is further torn between her feelings for both Andrey and Anatole ("Letters"). Sonya discovers letters between Natasha and Anatole and learns of their relationship. She confronts Natasha and desperately explains her distrust of Anatole, but Natasha bursts out in anger at her and leaves. Natasha writes to Mary and breaks off her engagement with Andrey ("Sonya & Natasha"). Alone, Sonya reflects on her love for her cousin and her determination to save her, even if she will lose her closest friend ("Sonya Alone").

That evening, Anatole and Dolokhov prepare for an elopement between Anatole and Natasha. Dolokhov attempts to change Anatole's mind, but is unsuccessful ("Preparations"). Balaga, their troika driver, arrives to take them to Natasha's house where they will retrieve her before departing ("Balaga"). When they arrive at Natasha's house, citizens of Moscow are there to bid their goodbyes to Anatole and Natasha, but are thwarted at the last moment by Marya ("The Abduction").

Marya scolds Natasha, who then reveals to Marya and Sonya that she broke off her engagement with Andrey and reaffirms her love for Anatole, whom she still believes is unmarried. Natasha screams at Marya and Sonya and bursts into tears as she waits all night for Anatole ("In My House"). Marya calls on Pierre in the middle of the night and explains the situation to him, begging him to handle the crisis. Pierre tells Marya that Anatole is already married ("A Call to Pierre"). Pierre, outraged, searches Moscow for Anatole while Marya and Sonya tell a grief-stricken Natasha that Anatole is already married, although she does not believe them. Pierre eventually finds Anatole at Hélène’s house ("Find Anatole"). Pierre, close to violence, orders Anatole to leave Moscow and burn all his correspondence with Natasha. A terrified Anatole agrees, but manages to squeeze travelling money out of Pierre in the process ("Pierre & Anatole"). Natasha attempts to take her own life by poisoning herself with arsenic, but lives ("Natasha Very Ill").

The next day, Andrey returns home from the war and is disoriented about the refusal of marriage he received from Natasha, which he asks Pierre about. Pierre explains the scandal to him and pleads with him to be compassionate, but Andrey is unable to forgive Natasha and cold-heartedly tells Pierre that he will not ask for her hand in marriage again ("Pierre and Andrey"). Pierre visits a shattered Natasha, meeting her for the first time, and comforts her. During their conversation he expresses admiration for her and tells her he would gladly marry her if he could, giving her hope ("Pierre & Natasha"). After their meeting, Pierre experiences a moment of enlightenment as he watches the Great Comet of 1812 soar across the night sky ("The Great Comet of 1812").

Music

The score, written and orchestrated by Malloy, merges Russian folk and classical music with indie rock and EDM influences. The piece, described by Malloy as an "electropop opera," is sung-through, with just one line of spoken dialogue coming in Pierre and Natasha's only scene together. On stage, nearly all of the actors play musical instruments augmenting the show's orchestra. Pierre plays the accordion briefly, and plays large sections of the score on the orchestra's piano.

The libretto contains many passages taken word-for-word from Aylmer and Louise Maude's 1922 translation of Tolstoy's novel.

Musical numbers

Act I

1. "Prologue" – Full Company
2. "Pierre" – Pierre Bezukhov, Ensemble
3. "Moscow" – Marya Dmitriyevna, Natasha Rostova, Sonya Rostova
4. "The Private and Intimate Life of the House" – Old Prince Bolkonsky, Princess Mary Bolkonskaya
5. "Natasha & Bolkonskys" – Mary, Natasha, Old Bolkonsky
6. "No One Else" – Natasha
7. "The Opera" – Marya D., Sonya, Natasha, Hélène Bezukhova, Pierre, Anatole Kuragin, Ensemble
8. "Natasha & Anatole" – Natasha, Anatole
9. "The Duel" – Anatole, Fedya Dolokhov, Pierre, Hélène, Ensemble
10. "Dust and Ashes" – Pierre, Ensemble
11. "Sunday Morning" – Natasha, Sonya, Marya D.
12. "Charming" – Hélène
13. "The Ball" – Natasha, Anatole

Act II

14. "Letters" – Pierre, Natasha, Mary, Anatole, Dolokhov, Ensemble
15. "Sonya & Natasha" – Sonya, Natasha
16. "Sonya Alone" – Sonya
17. "Preparations" – Anatole, Dolokhov, Pierre
18. "Balaga" – Balaga, Anatole, Dolokhov, Ensemble
19. "The Abduction" – Ensemble, Anatole, Dolokhov, Pierre
20. "In My House" – Marya D., Natasha, Sonya
21. "A Call to Pierre" – Marya D., Pierre
22. "Find Anatole" – Pierre, Anatole, Hélène, Natasha
23. "Pierre & Anatole" – Pierre, Anatole
24. "Natasha Very Ill" – Sonya
25. "Pierre & Andrey" – Andrey Bolkonsky, Pierre
26. "Pierre & Natasha" – Pierre, Natasha
27. "The Great Comet of 1812" – Pierre, Ensemble

Note: An aria for Natasha, "Natasha Lost", was cut during the Broadway production but is included on the original cast recording between number 8 ("Natasha & Anatole") and number 9 ("The Duel"). "Dust and Ashes" was added for the A.R.T. production. In 2020, Malloy released a song titled "Epilogue", a solo for Pierre after the finale that wasn't a part of the original musical.

Productions

Off-Broadway

Ars Nova

The musical premiered on October 16, 2012, at Ars Nova. Directed by Rachel Chavkin the show was staged as an immersive production, with action happening around and among the audience. The set designed by Mimi Lien and lights by Bradley King transformed Ars Nova into a Russian supper club. The creative team was completed by Paloma Young as costume designer, Matt Hubbs as sound designer, and Dave Malloy as musical director. The cast included Malloy as Pierre, Phillipa Soo as Natasha, Lucas Steele as Anatole, Amber Gray as Hélène, Brittain Ashford as Sonya, Manik Choksi as Dolokhov, Gelsey Bell as Mary, Blake DeLong as Andrey/Old Prince Bolkonsky, Amelia Workman as Marya D. and Paul Pinto (who also served as associate music director) as Balaga. The show was the first production of Ars Nova to ever transfer to Broadway.

Kazino

On May 16, 2013, the show opened in the Meatpacking District at Kazino, a temporary structure designed as an opulent Russian club, where the immersive production was staged, again by the same creative team. The cast reprised their roles, except Choksi, now replaced by Ian Lassiter, and Workman, replaced by Grace McLean. Malloy left the cast on June 21 and was temporarily replaced by Luke Holloway. David Abeles then took over the role of Pierre on July 9, 2013. The show closed on September 1, 2013.

The show opened for a 14-week limited engagement in September 2013 at the Kazino and moved to the Theater District, with the final cast of the previous production: Choksi reprised the role of Dolokhov, Bell was replaced by Shaina Taub, and Pinto was replaced by Ashkon Davaran. On December 10, 2013, the two-disc cast recording was released. The show was extended and ran until March 2, 2014.

American Repertory Theater (A.R.T.)

The team behind the original production remounted the show at the American Repertory Theater (A.R.T.) in Cambridge, Massachusetts, with performances beginning December 1, 2015 to January 2016. Now expanded to a proscenium stage, the set put some of the audience onstage. Scott Stangland took over the role of Pierre, Denée Benton starred as Natasha, Lilli Cooper as Hélène, Nicholas Belton played Andrey/Old Prince Bolkonsky and the rest of the cast reprised their roles.

Broadway

The Broadway production at the Imperial Theatre began previews on October 18, 2016 and opened on November 14, 2016, starring Josh Groban as Pierre and Denée Benton as Natasha, both making their Broadway debuts. The remainder of the cast featured Lucas Steele as Anatole, Brittain Ashford as Sonya, Amber Gray as Hélène, Grace McLean as Marya, Manik Choksi as Dolokhov, Nicholas Belton as Andrey/Old Prince Bolkonsky, Gelsey Bell as Princess Mary and Paul Pinto as Balaga. The production had choreography by Sam Pinkleton, sets by Mimi Lien, costumes by Paloma Young, lights by Bradley King, sound by Nicholas Pope and music direction by Or Matias. With sets similar to the A.R.T. remounting, the production took the proscenium stage, but removed almost 200 seats from the audience to accommodate the design. Again, the options of stage seats, in banquettes or dining tables, were available. The Broadway production cost about $14 million to stage, most of which was not recouped. In July 2017, Hamilton alum Okieriete Onaodowan took over the role of Pierre and singer-songwriter Ingrid Michaelson took over the role of Sonya for a temporary engagement, after which Ashford returned. On August 22, Malloy took over the role of Pierre for the remainder of the Broadway run.

The Broadway production played its final performance on September 3, 2017, having played 32 previews and 336 performances.

United States Regional

The Capital City Theatre of Madison, Wisconsin staged the musical from June 3-12, 2022. The West Coast premiere occurred in the fall of 2022 with the Shotgun Players in Berkeley, California.

The Great Comet returned to the Loeb Drama Center, home of the American Repertory Theater (A.R.T.) in Cambridge, Massachusetts, under the Harvard-Radcliffe Dramatic Club in April 2023.

The Idaho Shakespeare Festival staged ‘The Great Comet’ in August of 2023.

The Great Lakes Theater, Cleveland, Ohio, staged The Great Comet in September and October 2023.

The Horizon Theatre Company, Atlanta, Georgia, staged The Great Comet in October and November 2023.

The Zach Theatre in Austin, Texas, staged The Great Comet in January-March 2024.

The Arvada Center for the Arts and Humanities in Arvada, Colorado staged The Great Comet in February-March 2024.

Seacoast Repertory Theatre, Portsmouth, New Hampshire, will stage The Great Comet in March and April 2024.

Cygnet Theatre, San Diego, California, will stage The Great Comet in April and May 2024.

Pioneer Theatre Company, Salt Lake City, Utah, will stage The Great Comet in May 2024.

International

The show had its international premiere in Quito, Ecuador in September 2014, in a Spanish-language production produced by Teatro Parapluie.

A Brazilian production opened in August 2018, in Portuguese, with Bruna Guerin as Natasha, André Frateschi as Pierre and Gabriel Leone as Anatole. The production won the Prêmio Reverência popular vote Award for "Best Musical."

A Japanese production, helmed by the entertainment company Toho, opened at the Tokyo Metropolitan Theatre on January 5, 2019 and ran through January 27, 2019. It starred Nogizaka46's Erika Ikuta as Natasha and Yoshio Inoue as Pierre.

The Korean production was held starting from March 2021 until May 2021.

Variety also reported that productions in London and Korea were under discussion, with additional interest in China and the Philippines.

The Canadian premiere produced by Musical Stage Co. and Crow's Theatre was set to run from January 26 to February 14, 2021 at the Winter Garden Theatre in Toronto, but was suspended due to the COVID-19 pandemic and consequent shutdown of theaters. It was rescheduled for December 5, 2023 to March 24, 2024 at the Crow's Theatre. In summer 2025, it will transfer to the Royal Alexandra Theatre.

The European premiere was in February 2023 at the Landestheater in Linz, Austria.

The Australian premiere was mounted by the Darlinghurst Theatre Company, running at the Eternity Playhouse from 7 July to 20 August 2023. Reviews were positive, citing the staging and diverse casting.

The Chinese premiere ran from December 2023 to March 2024 at the Nine Trees Future Art Center and the Bank of Communications Qiantan 31 Performing Arts Center with Cooper Grodin starring as Pierre.

Characters

Character	Voice	Description
Countess Natasha Rostova	Soprano G3–F♯5	"Natasha is young": A nineteen-year-old ingenue who is innocent, doe-eyed, and profoundly, lethally romantic. She is betrothed to Andrey and loves him dearly. She goes to Moscow under the care of her godmother, Marya D., with her cousin and best friend Sonya. During her first three days there, she meets Anatole Kuragin and falls in love with him.
Pierre Bezukhov	Baritenor G♯2–A4 (B4 optional)	"Dear, bewildered, and awkward Pierre... rich, unhappily married Pierre": The illegitimate son of a Russian aristocratic family. Socially awkward with a melancholy streak, he is an outsider in society despite his wealth. He is a good friend of Andrey and keeps an eye on Natasha for him while he is away at war.
Anatole Kuragin	Tenor B2–C♯5 (falsetto E5)	"Anatole is hot": An aristocratic, seductive hedonist, who "spends his money on women and wine," and sees no needs except his own. He is the brother of Hélène and friend of Dolokhov. During the course of the show, he meets Natasha at the Opera and immediately wants her, despite her engagement and him being already married to a woman in Poland.
Sonya Rostova	Mezzo-soprano F♯3–E5	"Sonya is good, Natasha's cousin and closest friend": She is fiercely dedicated to her cousin and will do anything and everything to keep her safe.
Marya Dmitriyevna	Alto E3–B4	"Marya is old-school, a grand dame of Moscow": She is Natasha's godmother, an old friend of Pierre, and a very strict but kind woman. Natasha and Sonya go to live with her during their time in the city of Moscow. She loves Natasha very much and tries to help and protect her, especially when Natasha makes the mistake of falling for Anatole and breaks off her engagement with Andrey.
Hélène Kuragina Bezukhova	Alto E3–F5	"Hélène is a slut": Anatole's sister, who married Pierre for money. She is highly sexualized and dedicated to her brother.
Fedya Dolokhov	Baritone A2–G4	"Dolokhov is fierce, but not too important": An extremely talented marksman. He is Anatole's closest friend and participates in his pleasure-loving lifestyle. He is having an alleged affair with Hélène.
Prince Andrey Bolkonsky	Bass-Baritone F2–E♭4	"Andrey isn't here": He is fighting in the war for much of the show, and is betrothed to Natasha. He is serious and bitter.
Old Prince Nikolay Bolkonsky	Baritone C3–F4	"Old Prince Bolkonsky is crazy": and suffering from many age-related ailments. He is taken care of by his daughter Mary, but he torments her regardless.
Princess Mary Bolkonskaya	Mezzo-soprano G3–G5	"Mary is plain": the daughter of Bolkonsky and Andrey's sister. She lives at home with her father as his carer, where she is tormented and abused by him. She is confined to the home and has no friends.
Balaga	Baritone A2–F♯4	"Balaga's just for fun": He's a famous troika driver, and assists Anatole in his plot for eloping with Natasha. He is wild and mystical.

(Lines in quotations are lyrics from the opening song, "Prologue," which introduces the characters)

Original principal casts

Character	Off-Off-Broadway Ars Nova	Off-Broadway Kazino Meatpacking	American Repertory Theater	Broadway	Australia Premiere	Canada Premiere
	2012	2013	2015	2016	2023
Countess Natasha Rostova	Phillipa Soo		Denée Benton		Grace Driscoll	Hailey Gillis
Pierre Bezukhov	Dave Malloy		Scott Stangland	Josh Groban	Zoy Frangos	Evan Buliung
Anatole Kuragin	Lucas Steele				Jules Pendrith	George Krissa
Sonya Rostova	Brittain Ashford				Kala Gare	Camille Eanga-Selenge
Marya Dmitriyevna	Amelia Workman	Grace McLean			Jillian O'Dawd	Louise Pitre
Hélène Kuragina Bezukhova	Amber Gray		Lilli Cooper	Amber Gray	Marissa Saroca	Divine Brown
Fedya Dolokhov	Manik Choksi	Ian Lassiter	Manik Choksi		Cameron Bajraktarevic-Hayward	Lawrence Libor
Prince Andrey Bolkonsky	Blake DeLong		Nicholas Belton		P. Tucker Worley	Marcus Nance
Old Prince Bolkonsky
Princess Mary Bolkonskaya	Gelsey Bell				Lillian Hearne	Heeyun Park
Balaga	Paul Pinto				Anton Berezin	Andrew Penner

Replacements

Broadway (2016-17)

• Pierre Bezukhov - Dave Malloy, Okieriete Onaodowan, Scott Stangland
• Natasha Rostova - Lauren Zakrin (u/s)
• Sonya Rostova - Ingrid Michaelson, Lauren Zakrin (u/s)
• Princess Mary: Courtney Bassett

Critical response

The piece was very well received by the New York press. Charles Isherwood in The New York Times called it "a vibrant, transporting new musical," and both Times theater critics included the show on their Best of the Year lists. The Times' classical critic, Anthony Tommasini, called it "a breathless, roughish and ravishing quasi-opera. This is a pastiche score of a cavalier sort. Mr. Malloy lifts styles with such abandon, making willful shifts – from punk riffs to agitated Broadway ballads, mock-pompous recitative to gritty Russian folk songs or drinking choruses with klezmer clarinets – that you lose track of what is being appropriated and really don't care." Time Out New York gave the piece five out of five stars, and also included it on both critics' Best of lists, stating "this is theater like no other in New York. It grounds you and transports you at once, and leaves you beaming with pleasure.”

Controversy

Josh Groban played his final performance on July 2. Okieriete Onaodowan assumed the role of Pierre on July 11; he was originally supposed to begin performances on July 3, but needed more time to prepare. Onaodowan's performance was well received, but the show continued to struggle financially with the departure of Groban. The producers attempted to bring in Broadway legend Mandy Patinkin to boost ticket sales and prevent the show from closing. On July 26, 2017, a day before the official announcement, the website Broadway Black broke the news that Patinkin was set to replace Okieriete Onaodowan as Pierre for three weeks, cutting Onoadowan's run short by a couple of weeks due to Patinkin's busy schedule.

Many fans and actors were angered by this casting decision, as Patinkin was an older, white actor replacing Onaodowan. A Twitter campaign was begun by Rafael Casal, a friend of Onaodowan who coined the hashtag #makeroomforoak. The controversy led to Patinkin withdrawing from the show two days later and Pierre standby Scott Stangland played Pierre for the first week after Onaodowan’s departure. Dave Malloy then assumed the role of Pierre for the remainder of the running. The show closed a little over a month later, on September 3, 2017, citing this controversy and the declining ticket sales.

Awards and nominations

Original Off-Broadway production

Sources: TheaterMania Internet Off-Broadway DatabaseVillage Voice

Year	Award	Category	Nominee	Result
2013	Obie Award	Special Citations	Dave Malloy & Rachel Chavkin	Won
	Drama League Award	Distinguished Performance Award	Phillipa Soo	Nominated
		Outstanding Production of a Broadway or Off-Broadway Musical		Nominated
	Drama Desk Award	Outstanding Musical		Nominated
		Outstanding Music	Dave Malloy	Nominated
		Outstanding Lyrics		Nominated
		Outstanding Director of a Musical	Rachel Chavkin	Nominated
		Outstanding Costume Design	Paloma Young	Nominated
	Off-Broadway Alliance Awards	Best New Musical		Won
2014	Lucille Lortel Award	Outstanding Musical		Nominated
		Outstanding Director	Rachel Chavkin	Nominated
		Outstanding Lead Actress in a Musical	Phillipa Soo	Nominated
		Outstanding Featured Actor in a Musical	Lucas Steele	Won
			Blake DeLong	Nominated
		Outstanding Featured Actress in a Musical	Brittain Ashford	Nominated
			Shaina Taub	Nominated
		Outstanding Scenic Design	Mimi Lien	Won
		Outstanding Costume Design	Paloma Young	Won
		Outstanding Lighting Design	Bradley King	Nominated
		Outstanding Sound Design	Matt Hubbs	Nominated

Original Cambridge production

Year	Award	Category	Nominee	Result
2016	Elliot Norton Award	Outstanding Musical Production by a Large Theatre		Won
		Outstanding Design, Large Theatre		Won
		Outstanding Director, Large Theatre	Rachel Chavkin	Won
		Outstanding Performance by an Actor	Lucas Steele	Nominated
			Scott Stangland	Won
		Outstanding Performance by an Actress	Denée Benton	Nominated
		Outstanding Ensemble, Large Theatre		Nominated
	IRNE Awards	Outstanding New Play		Won
		Best Set Design	Mimi Lien	Won
		Best Costume Design	Paloma Young	Won
		Best Lighting Design	Bradley King	Won
		Best Sound Design	Matt Hubbs	Won
		Best Actor in a Musical	Scott Stangland	Won
		Best Actress in a Musical	Denée Benton	Nominated
		Best Supporting Actress in a Musical	Brittain Ashford	Nominated
		Best Supporting Actor in a Musical	Lucas Steele	Nominated
		Best Director of a Musical	Rachel Chavkin	Won
		Best Musical		Won

Original Broadway production

Year	Award	Category	Nominee	Result
2017	Tony Awards	Best Musical		Nominated
		Best Book of a Musical	Dave Malloy	Nominated
		Best Original Score		Nominated
		Best Orchestrations		Nominated
		Best Actor in a Musical	Josh Groban	Nominated
		Best Actress in a Musical	Denée Benton	Nominated
		Best Featured Actor in a Musical	Lucas Steele	Nominated
		Best Scenic Design in a Musical	Mimi Lien	Won
		Best Costume Design in a Musical	Paloma Young	Nominated
		Best Lighting Design in a Musical	Bradley King	Won
		Best Direction of a Musical	Rachel Chavkin	Nominated
		Best Choreography	Sam Pinkleton	Nominated
	Drama Desk Awards	Outstanding Director of a Musical	Rachel Chavkin	Won
		Outstanding Set Design	Mimi Lien	Won
		Outstanding Lighting Design for a Musical	Bradley King	Won
		Outstanding Sound Design in a Musical	Nicholas Pope	Won
	Drama League Award	Outstanding Production of a Broadway or Off-Broadway Musical		Nominated
		Distinguished Performance Award	Denée Benton	Nominated
			Josh Groban	Nominated
	Outer Critics Circle Award	Outstanding Set Design	Mimi Lien	Won
		Outstanding Lighting Design	Bradley King	Won
		Outstanding Sound Design	Nicholas Pope	Nominated
	Theatre World Award		Denée Benton	Honoree
			Josh Groban	Honoree
			Amber Gray	Honoree
			Dave Malloy	Special Award Honoree
	Chita Rivera Awards for Dance and Choreography	Outstanding Ensemble in a Broadway Show		Won
	ACCA Award for Outstanding Broadway Chorus		Sumayya Ali, Courtney Bassett, Josh Canfield, Kennedy Caughell, Ken Clark, Erica Dorfler, Lulu Fall, Ashley Pérez Flanagan, Paloma Garcia-Lee, Nick Gaswirth, Alex Gibson, Billy Joe Kiessling, Mary Spencer Knapp, Blaine Alden Krauss, Reed Luplau, Brandt Martinez, Andrew Mayer, Mary Page Nance, Shoba Narayan, Azudi Onyejekwe, Pearl Rhein, Celia Mei Rubin, Heath Saunders, Ani Taj, Cathryn Wake, Katrina Yaukey, and Lauren Zakrin	Recipient
	Extraordinary Excellence in Diversity			Recipient
	Smithsonian Ingenuity Award	History Award	Dave Malloy & Rachel Chavkin	Won

Recordings

On December 10, 2013 Ghostlight Records released a two-disc original cast album of the entire score. Later, another disc containing highlights from the show was released.

The original Broadway cast recording was released on May 19, 2017 on Reprise Records. It went on to chart at number 87 on the Billboard 200 chart, number 26 on the Top Album Sales chart, and number 23 on the Digital Albums chart.

Book

On November 22, 2016 the book Natasha, Pierre, and the Great Comet of 1812: The Journey of a New Musical to Broadway was released. The book, edited and compiled by Steven Suskin, includes interviews with many of the original cast members, as well as the annotated script and photos of both the Kazino and Broadway casts. The book also includes a CD with five songs from the show: three from the original cast recording, and two featuring Josh Groban and a 25 piece orchestra.

External links

• Internet Off-Broadway Database
• Internet Broadway Database
• Working in the Theatre Episode on Adaptation